Studio
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A campaign studio for fashion, beauty, design and venues.
Before anything is made, we decide what should be made. The part most studios skip and most brands pay for twice.
we don’t take every brief. taste is the filter.
Have something in mind? Start a conversation
Worn
A garment is bought on how it moves and on who it makes the buyer feel like. A flat product shot answers neither, which is why the good ones are always a campaign and never a catalogue.
Fashion · Accessories · Footwear · Eyewear · Jewellery
Felt
Nothing here photographs directly. Texture, scent and the effect on a face have to be carried by everything around the bottle, so the direction does the work the product cannot.
Beauty · Fragrance · Skincare · Cosmetics
Made
An object is judged on material and proportion, and both collapse under the wrong light. Most of this work is lighting, and the rest is knowing which angle the maker was thinking about.
Design · Interiors · Furniture · Objects · Lighting · Ceramics · Textiles · Homeware · Spaces
Served
A room is judged on how it feels to be seated in it, not on what is plated. That is a lighting and casting problem before it is a food one, which is why most venue photography looks like a menu insert instead of a reason to book.
Restaurants · Bars · Cafés · Openings
the product is rarely the problem.
the way it is seen usually is.
that is the part we work on.
See how we work(04) Ways to Work
Project & Retainer
01A campaign.
You have the product. What you have to sell it with was shot at different times by different people.
02A launch.
There is a date in the calendar, a product behind it, and someone who has to report the result.
03The whole brand.
The name is staying. Almost nothing else is.
04The studio on retainer.Monthly
One brand, held across a year, instead of four briefs held for six weeks each.
(05) What We Look At
01 / 06
An index of rooms, objects and hours. Kept for how they look, not for what they mean.
Longer notes from the studio, published when there is something worth saying.
Design
Why we are falling back in love with the weight of natural materials, and what a travertine table understands about luxury that a plastic one never will.
Culture
The campaigns that changed fashion advertising: white backgrounds, black-and-white film, and the discovery that the person mattered more than the product.
Fashion
Three decades of one idea, explored deeply enough that it became a language. On fashion as architecture, and why consistency reads as originality.