Reach is cheap now. Being remembered is not.
When did that start?
Walk into a museum now and something is off. You are standing in front of a thing a person made slowly, with their hands, and part of you is quietly checking whether it is real. That reflex is new. It has already attached itself to everything else: every image a company puts out, every line it writes. Artificial is what kills a company’s soul, assuming it had one in the first place. We started miis. in 2026 to choose what is alive. Two rooms, Amsterdam and Vilnius, a few names a year. Alive is becoming a luxury rather than common sense.
The filter
What we say yes to.
Brands that already know what they are and cannot yet see it. A date far enough out to be told the truth about. One person who can decide, and will.
What we say no to.
Reach for its own sake. A folder of somebody else's references, handed over as a brief. A deadline no amount of production can absorb, dressed up as ambition.
The cities
By appointment
Amsterdamand Vilnius.
A working arrangement rather than a flag on a map. Production runs out of whichever city is closer to the thing being made.
Representation
Measured in years
We develop and represent a small number of names end to end: strategy, deals, and the day to day underneath both. It is the slowest thing the studio does, and the only one where being early matters more than being right on the first attempt.
To be considered, send three things. The work. The links. A short note on where you want to go.
Submissions
talent@miisstudio.comNew business
hello@miisstudio.comThe gallery
A few frames
